Mannenberg

Song 1974 Cape Town connection

The tune Abdullah Ibrahim improvised at a prepared upright piano in Cape Town in June 1974, with Basil Coetzee taking the first solo. The groove is marabi, the saxophone sound is langarm and the beat sits close to a slow goema. Coetzee and Jansen then played it at rally after rally, and it became the anti-apartheid anthem of Cape Town.

Connections

is associated with

belongs to the genre

influenced

  • Jackpot the resemblance runs the other way in the dispute, see the note

was performed by

  • Basil Coetzee (1983) at the youth festival for the UDF launch
  • Robbie Jansen (1985) at a famine relief and unrest victims benefit

was recorded by

is the song of

  • Manenberg (1974) the record spells it with three n's, the township with two
  • District Six the record appeared while District Six was being cleared

was written by

  • Abdullah Ibrahim (1974) credited as composer, though it began as an improvisation

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Did you know?

The record says Mannenberg. The township says Manenberg. The accounts we checked do not explain the extra n.

Abdullah Ibrahim's 1974 tune is spelt with three n's. The Cape Flats township it is named for has two. The published accounts explain the song, but not the extra letter.

Music Manenberg 1974 Cape Town

Source: SAHA Sunday Times Heritage Project: Mannenberg · Africa Is a Country: How Rashid Vally showed us the way

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One of Cape Town's best-known jazz tunes was cut in a Cape Town session in June 1974.

Abdullah Ibrahim recorded "Mannenberg" in Cape Town in June 1974 with Basil Coetzee, Robbie Jansen, Morris Goldberg and Monty Weber, produced by Rashid Vally for the As-Shams label.

Music Manenberg 1974 Cape Town

Source: SAHA Sunday Times Heritage Project: Mannenberg · Africa Is a Country: How Rashid Vally showed us the way

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Basil Coetzee was born in District Six and carried the name of the place he was moved to.

The saxophonist on "Mannenberg" was born in District Six in 1944. His family was moved to Manenberg in 1969 under the Group Areas Act, and the township name became his own.

Music District Six 1944–1998 Cape Town

Source: South African History Online: Basil Coetzee · Wikipedia: Basil Coetzee

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By one published account, Rashid Vally sold 5,000 copies in a week by playing the record on his shop loudspeakers.

Radio would not play it and the big labels were not interested, so Rashid Vally played "Mannenberg" on speakers outside his Kohinoor record shop. Africa Is a Country reports that he sold 5,000 copies in the first week.

Music 1974 Cape Town

Source: Africa Is a Country: How Rashid Vally showed us the way · SAHA Sunday Times Heritage Project: Mannenberg

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The tune became a struggle anthem because two saxophonists kept playing it at rallies.

Mason argues that Basil Coetzee and Robbie Jansen turned a 1974 hit into an anthem by putting it at the centre of rallies and benefit concerts through the 1980s, including the youth festival at the national launch of the UDF in August 1983.

Music Cape Town 1983–1990 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · South African History Online: Basil Coetzee

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The tune was nearly called "Mrs. Williams from Mannenberg", after a real woman in the township.

John Edwin Mason reports that the title came from Morris Goldberg mentioning a visit to Gladys Williams, his family's former housekeeper in Manenberg. Rashid Vally chose a more marketable album title, but Williams's photograph went on the cover.

Music Manenberg 1974 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · As-Shams / The Sun Records: About

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Manenberg was eight years old when the record was named after it.

South African History Online dates the planning of Manenberg to November 1964 and its establishment to 1966. Between 1966 and 1970, 5,621 dwellings were built there for a population of 33,922.

Places Manenberg 1966–1970 Cape Town

Source: South African History Online: Manenberg, Cape Flats · John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007

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Rashid Vally could not distribute a hit that size, so he took it to Gallo. It sold 43,000 copies in seven months.

Mason reports that after the record took off, Vally admitted he lacked the financial muscle to distribute it nationally and did a deal with Gallo Records. Within seven months of release, 43,000 copies had been sold in South Africa.

Music 1974–1975 South Africa-wide

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · As-Shams / The Sun Records: About

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Marabi groove, ticky-draai beat, langarm saxophones, jazz underneath. Mason lists the parts.

Mason breaks the tune into familiar local ingredients: a marabi groove, a beat close to ticky-draai or a lazy ghoema, saxophones with a langarm sound, and a jazz aesthetic holding it together.

Music 1974 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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Some Johannesburg musicians heard an older mbaqanga tune in it, and said so for decades.

Mason notes that the melody strongly resembles "Jackpot", recorded by the saxophonist Zacks Nkosi around 1960, and reports that the Sunday Times wrote in 2006 that Nkosi and his son believed "Mannenberg" was taken from it. Mason himself rejects the copy claim.

Music 1960–2006 Accounts differ South Africa-wide

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007

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Hear the music for yourself

Sources for these connections

  1. African Studies Quarterly: John Edwin Mason, Mannenberg, Notes on the Making of an Icon and Anthem (2007)
  2. As-Shams / The Sun Records: About
  3. SAHA Sunday Times Heritage Project: Mannenberg

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