Goema

Genre Cape Town connection

Both a drum and a beat. The drum is a single-headed instrument built like a small wine cask, which the Dictionary of South African English traces through Afrikaans to a dialectal Malay word. The beat runs through the carnival, the Malay choirs and the dance bands, and in the 1980s the Genuines took the name for their own music.

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  • Cape jazz the goema beat is the ingredient that makes it local
  • Langarm the goema beat is very close to the vastrap of langarm

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The goema drum gave Cape Town a genre its name. The dictionary traces the word to Malay, not to ngoma.

Goema is both a barrel-shaped hand drum and the Cape Town music built on its beat. The Dictionary of South African English traces the word probably to a dialectal Malay word related to gong.

Music Cape Town Cape Town

Source: Dictionary of South African English: ghomma · Wikipedia: Cape jazz

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American minstrel troupes toured Cape Town in 1862, and the local parade borrowed their look.

Visiting American minstrel companies brought blackface minstrelsy to Cape Town in 1862, and local performers adapted the style into what became the Kaapse Klopse. Which troupe came first is not settled.

Traditions Cape Town 1862 Cape Town

Source: ESAT: Minstrels · South African History Online: The Cape Minstrels, Origins and Evolution of Tweede Nuwe Jaar in the Cape

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The UWC scholar Valmont Layne places the goema beat at the heart of Cape Town's music, jazz included.

Cape jazz emerged in Cape Town from the late 1950s. Valmont Layne of the University of the Western Cape, who wrote his doctorate on goema, describes it as the rhythmic essence of collective life among the poor and traces its links to Cape jazz.

Music District Six 1959 Cape Town

Source: Denis-Constant Martin: Sounding the Cape (African Minds, 2013), p. 353 · University of the Western Cape: Art activist Layne probes goema music for his doctorate

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The beat was in Cape Town jazz drumming before anyone set out to put it there.

Martin writes that the ghoema beat had already infiltrated the drumming of Cape Town jazz drummers before it was explicitly used in fusions and in Cape jazz, and that it is very closely related to the vastrap rhythm of boeremusiek and langarm.

Music Cape Town Cape Town

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013) · University of the Western Cape: Art activist Layne probes goema music for his doctorate

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The drum is built like a wine cask, from staves and hoops, by people who often worked as coopers.

Denis-Constant Martin describes the goema as a single-headed wooden drum assembled from staves held by metal hoops, made in a wine-making country from materials enslaved people could get. Kirby described it in 1939 as a small cask with a skin nailed over one end.

Music Cape Town Cape Town

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013) · Dictionary of South African English: ghomma

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Marabi groove, ticky-draai beat, langarm saxophones, jazz underneath. Mason lists the parts.

Mason breaks the tune into familiar local ingredients: a marabi groove, a beat close to ticky-draai or a lazy ghoema, saxophones with a langarm sound, and a jazz aesthetic holding it together.

Music 1974 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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Troupes do not just parade. They compete in named song categories, and the categories have dates.

Martin records that Afrikaans moppies, comic songs built on the ghoema beat, were introduced into the carnival competitions in 1949, and that nederlandsliedjies became a full item in the Malay choir competitions around 1957.

Traditions Cape Town 1949–1957 Cape Town

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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The Genuines called their jazzy kind of rock ghoema, and the dictionary now records that as a sense of the word.

Martin writes that the Genuines, led by Mac McKenzie with Hilton Schilder and often Robbie Jansen, named their music ghoema and recorded Mr Mac and the Genuines for Shifty Records in 1987. The Dictionary of South African English lists that 1980s style as a second sense of the word.

Music 1987 Cape Town

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013) · Dictionary of South African English: ghomma

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The comic songs sung at carnival competitions have an older name: ghoemaliedjies, drum songs with sharp lyrics.

Martin describes Afrikaans moppies, one of the most popular items in klopse and Malay choir competitions, as the descendants of ghoemaliedjies: dancing songs accompanied by the drum, sung in streets and at picnics, usually caustic about people in authority.

Music Cape Town 1949 Cape Town

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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Satin, colour, twirled umbrellas and tossed walking sticks: the look is part of the performance.

AFP described performers at the January 2026 parade in bright satin costumes, many twirling umbrellas and tossing walking sticks, accompanied by brass bands, goema drummers and banjos. Martin records that troupes have competed on costume since the nineteenth century.

Traditions Cape Town Cape Town

Correct as of 19 September 2026. Source: AFP: Thousands attend annual minstrel parade in South Africa's Cape Town · Daily Maverick: Tweede Nuwe Jaar parade goes ahead despite last-minute court battle

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The earliest description of a drum played by enslaved people at the Cape dates from 1820.

Martin cites Percival Kirby for the first mention of a drum played by enslaved people in the Cape Colony, dated 1820 and described as a hollowed log covered at one end with an undressed sheepskin.

Music Cape Town 1820 Western Cape

Source: Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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A drum got its own musical: Ghoema opened at the Baxter in November 2005.

David Kramer and Taliep Petersen's musical Ghoema ran at the Baxter Theatre from 11 November 2005 to 7 January 2006. It uses the drum as a way into the musical history of the Cape and the slave trade behind it.

Music Baxter Theatre 2005–2006 Cape Town

Source: Encyclopaedia of South African Theatre, Film, Media and Performance: Ghoema · Dictionary of South African English: ghomma

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Sources for these connections

  1. African Minds: Denis-Constant Martin, Sounding the Cape (2013)
  2. Dictionary of South African English: ghomma
  3. Encyclopaedia of South African Theatre, Film, Media and Performance: Ghoema
  4. The Conversation: Valmont Layne, Goema superstar, how composer Mac McKenzie reshaped the sound of Cape Town
  5. Wikipedia: Errol Dyers

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