Basil Coetzee

Artist 1944–1998 Cape Town connection

Tenor saxophonist born in District Six in 1944, whose family was moved to Manenberg under the Group Areas Act. He took the first solo on "Mannenberg" in 1974 and carried the nickname of the township for the rest of his life. Through the 1980s he played the tune at rally after rally, which is how it became an anthem. He died in 1998.

Connections

is associated with

  • Manenberg he carried the township's name as a nickname

was born in

worked with

belongs to the genre

lived in

  • Manenberg (1969) the family was moved there under the Group Areas Act

was a member of

performed

  • Mannenberg (1983) at the youth festival for the UDF launch

recorded

Did you know?

Did you know?

The record says Mannenberg. The township says Manenberg. The accounts we checked do not explain the extra n.

Abdullah Ibrahim's 1974 tune is spelt with three n's. The Cape Flats township it is named for has two. The published accounts explain the song, but not the extra letter.

Music Manenberg 1974 Cape Town

Source: SAHA Sunday Times Heritage Project: Mannenberg · Africa Is a Country: How Rashid Vally showed us the way

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One of Cape Town's best-known jazz tunes was cut in a Cape Town session in June 1974.

Abdullah Ibrahim recorded "Mannenberg" in Cape Town in June 1974 with Basil Coetzee, Robbie Jansen, Morris Goldberg and Monty Weber, produced by Rashid Vally for the As-Shams label.

Music Manenberg 1974 Cape Town

Source: SAHA Sunday Times Heritage Project: Mannenberg · Africa Is a Country: How Rashid Vally showed us the way

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Basil Coetzee was born in District Six and carried the name of the place he was moved to.

The saxophonist on "Mannenberg" was born in District Six in 1944. His family was moved to Manenberg in 1969 under the Group Areas Act, and the township name became his own.

Music District Six 1944–1998 Cape Town

Source: South African History Online: Basil Coetzee · Wikipedia: Basil Coetzee

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The UWC scholar Valmont Layne places the goema beat at the heart of Cape Town's music, jazz included.

Cape jazz emerged in Cape Town from the late 1950s. Valmont Layne of the University of the Western Cape, who wrote his doctorate on goema, describes it as the rhythmic essence of collective life among the poor and traces its links to Cape jazz.

Music District Six 1959 Cape Town

Source: Denis-Constant Martin: Sounding the Cape (African Minds, 2013), p. 353 · University of the Western Cape: Art activist Layne probes goema music for his doctorate

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The tune became a struggle anthem because two saxophonists kept playing it at rallies.

Mason argues that Basil Coetzee and Robbie Jansen turned a 1974 hit into an anthem by putting it at the centre of rallies and benefit concerts through the 1980s, including the youth festival at the national launch of the UDF in August 1983.

Music Cape Town 1983–1990 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · South African History Online: Basil Coetzee

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Marabi groove, ticky-draai beat, langarm saxophones, jazz underneath. Mason lists the parts.

Mason breaks the tune into familiar local ingredients: a marabi groove, a beat close to ticky-draai or a lazy ghoema, saxophones with a langarm sound, and a jazz aesthetic holding it together.

Music 1974 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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Sources for these connections

  1. African Minds: Denis-Constant Martin, Sounding the Cape (2013)
  2. African Studies Quarterly: John Edwin Mason, Mannenberg, Notes on the Making of an Icon and Anthem (2007)
  3. South African History Online: Basil Coetzee
  4. Wikipedia: Cape jazz

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