Marabi

Genre

The township party music that grew in the slum yards of the mining towns from the end of the nineteenth century, built on a repeating chord pattern. Abdullah Ibrahim grew up playing it, and its groove is what people hear in "Mannenberg", helped by a piano prepared with thumbtacks in the hammers.

Connections

is related to

  • Cape jazz the groove under Mannenberg
  • Kwela kwela was greatly influenced by marabi
  • Mbaqanga mbaqanga grew out of the older strains

takes in

is in

  • Johannesburg it formed in the slum yards of the mining centres

Did you know?

Did you know?

Marabi groove, ticky-draai beat, langarm saxophones, jazz underneath. Mason lists the parts.

Mason breaks the tune into familiar local ingredients: a marabi groove, a beat close to ticky-draai or a lazy ghoema, saxophones with a langarm sound, and a jazz aesthetic holding it together.

Music 1974 Cape Town

Source: John Edwin Mason, "Mannenberg": Notes on the Making of an Icon and Anthem, African Studies Quarterly 9(4), 2007 · Denis-Constant Martin, Sounding the Cape: Music, Identity and Politics in South Africa (African Minds, 2013)

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Sources for these connections

  1. African Studies Quarterly: John Edwin Mason, Mannenberg, Notes on the Making of an Icon and Anthem (2007)
  2. SAHA Sunday Times Heritage Project: Mannenberg
  3. South African History Online: The development of music in South Africa timeline 1600 to 2004

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