Cape Town Data

The South African Music Graph

See who taught whom, who played what and where, on one map of South African music.

See how South African musicians, songs and places are connected. Every connection below is sourced, and every node leads to what we know about it.

The map grew out of our article An Interactive Network of Cape Jazz Musicians.

The network

6 nodes on the map.

Everyone and everything on the map

Song

  • Mannenberg

    The tune Abdullah Ibrahim improvised at a prepared upright piano in Cape Town in June 1974, with Basil Coetzee taking the first solo. The groove is marabi, the saxophone sound is langarm and the beat sits close to a slow goema. Coetzee and Jansen then played it at rally after rally, and it became the anti-apartheid anthem of Cape Town.

    1970sCape Town2 connections

Genre

  • Cape jazz

    The name for jazz as Cape Town plays it, built on the goema beat of the carnival, the marabi groove and the saxophone sound of the langarm dance bands. Martin's view is that the idea of it was probably inspired by Abdullah Ibrahim's reworking of carnival tunes, and that what happened in the 1980s was the systematising of an older habit.

    Cape Town2 connections

  • Kwela

    The pennywhistle music that carried South African sound abroad in the 1950s. South African History Online glosses the name as Zulu for get up, and notes that in township slang it also meant the police van. Basil Coetzee started out on the pennywhistle in 1958.

    2 connections

  • Marabi

    The township party music that grew in the slum yards of the mining towns from the end of the nineteenth century, built on a repeating chord pattern. Abdullah Ibrahim grew up playing it, and its groove is what people hear in "Mannenberg", helped by a piano prepared with thumbtacks in the hammers.

    5 connections

  • Mbaqanga

    The African jazz that grew out of marabi and kwela from around 1950 and became the popular music of the townships. Zacks Nkosi's "Jackpot" is an mbaqanga tune, and Robbie Jansen counted mbaqanga among the styles a working Cape Town musician simply had to know.

    2 connections

Place

  • Johannesburg

    The other pole of South African jazz, where the Jazz Epistles played, where King Kong opened in 1959, where Rashid Vally ran the Kohinoor record shop, and where kwaito later grew out of house music in Soweto.

    1 connection

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