Cape Town Data

The South African Music Graph

See who taught whom, who played what and where, on one map of South African music.

See how South African musicians, songs and places are connected. Every connection below is sourced, and every node leads to what we know about it.

The map grew out of our article An Interactive Network of Cape Jazz Musicians.

The network

4 nodes on the map.

Everyone and everything on the map

Genre

  • Cape jazz

    The name for jazz as Cape Town plays it, built on the goema beat of the carnival, the marabi groove and the saxophone sound of the langarm dance bands. Martin's view is that the idea of it was probably inspired by Abdullah Ibrahim's reworking of carnival tunes, and that what happened in the 1980s was the systematising of an older habit.

    Cape Town3 connections

  • Goema

    Both a drum and a beat. The drum is a single-headed instrument built like a small wine cask, which the Dictionary of South African English traces through Afrikaans to a dialectal Malay word. The beat runs through the carnival, the Malay choirs and the dance bands, and in the 1980s the Genuines took the name for their own music.

    Cape Town3 connections

  • Langarm

    The dance band music of coloured Cape Town, built on waltzes, foxtrots and South African steps such as vastrap and ticky-draai. Mason's point about "Mannenberg" is that its saxophone sound is langarm, which is a large part of why Cape Town listeners recognised themselves in it.

    Cape Town3 connections

Place

  • Cape Town

    The city whose music this graph is mostly about. Denis-Constant Martin's study treats it as a creole city where slavery, carnival, church music, dance bands and American jazz kept feeding each other. Apartheid then cut the city up, clearing District Six and pushing people out to the Cape Flats, and the music carries that history.

    Cape Town3 connections

Share